Denali

All paintings were created on Native Tanana Land

I was drawn to Denali National Park because of its vast Wilderness and close connection to the Subaru/ NPCA Zero Landfill Initiative. Of the three parks involved in the pilot program of the initiative (Yosemite, Grand Tetons, and Denali) Denali is the only park with an Artist in Residence Program.

I wanted to explore the efforts being taken to mitigate waste and sort recycling in such a remote Alaskan location- and display those efforts through the lens of my Recycled Landscapes eco art. Because I anticipated not finding much trash out and about, before heading two hours into the backcountry of the park, I visited with Ranger Bill at the Denali Recycling Center and literally went dumpster diving for canvases.

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Denali

All paintings were created on Native Tanana Land

I was drawn to Denali National Park because of its vast Wilderness and close connection to the Subaru/ NPCA Zero Landfill Initiative. Of the three parks involved in the pilot program of the initiative (Yosemite, Grand Tetons, and Denali) Denali is the only park with an Artist in Residence Program.

I wanted to explore the efforts being taken to mitigate waste and sort recycling in such a remote Alaskan location- and display those efforts through the lens of my Recycled Landscapes eco art. Because I anticipated not finding much trash out and about, before heading two hours into the backcountry of the park, I visited with Ranger Bill at the Denali Recycling Center and literally went dumpster diving for canvases.

Ranger Bill shared the cyclical nature of waste management, specifically how day after day he gets trash bags filled with disposable coffee cups. It is one thing to drink a cup of coffee, throw it away, and never have to think about it again… But his JOB is sorting and dealing with the messes that we make! His job is a never ending process and unless we take serious strides to limit our single-use plastic intake, he will continue to witness these coffee cups being thrown away.

After sifting through the center and finding some interesting canvases, I headed to my cabin on the Toklat River. The Denali residency is only 10 days long, so right from the start I had this panicked feeling that I needed to squeeze as much as possible into this precious and rare time I was granted. My first few days, I cranked out multiple finished paintings and continued to feel frantic. After a little while longer I connected my behavior to that of the recycling center’s- ongoing and never an end in sight.

This body of work is here to highlight the incredible ways Denali National Park IS leaving no trace. However, it is also here to share the intense, intricate, and expensive methods necessary in order to sort, ship, and process waste and recycling- methods that largely go unnoticed by the public.

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Recycled Landscapes

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Zion